#Vocalign mixbus pro
Just to name two basic VST3 only: Melodyne and Revoice Pro 4/VocAlign Pro 4/VocAlign Project 3. It’s a combination of all the available tools that really makes ReVoice a choice environment from subtle correction to creating completely new melodies with a take using a combination of the Cutter or Warp Point, and Smooth Join tools, followed by the Pencil tool to draw in new vibrato if stretching or shorting a note with Warp Point messed with things. Very few I don't know but very important for sure. No longer do we have to move each phrase of each vocal track left and right manually (though Revoice allows you to do so if you wish) or use an Elastic Audio / Flex Time type function (which Revoice also includes under the guise of the ‘Warp Point’ tool).
So, with a little practice and patience you can really go nuts with what Synchro Arts has created. Not only does this make it sound like 2 different takes of the same harmony, but it helps prevent any phase problems. You can then double the double you just created and pan the new harmony and its double however you want them (or choose a stereo double preset if you just want a hard left and hard right effect).
#Vocalign mixbus full
Once you create this artificial harmony, simply run it through a Doubler process with the “Loose Timing” preset to pop out a much more realistic sounding harmony – full blown computer wizardry. Well, this is where the Doubler function shines through once again. Big whoop, right? To my ears at least, it is very obvious when this was done to create an artificial harmony and being a typical artificial harmony, it obviously doesn’t sound too natural. So, like you would in any other program, duplicate your track within Revoice and manually adjust the pitch up or down to create a harmony with your main track. One cool little trick I came across was the ability to make very solid sounding artificial harmonies, that I can see being a godsend for many. Being that this song not only had a weird tuning, but was also heavily influenced by old jazz records, transparency was vital as far as tuning the lead vocal was concerned, to keep things sounding natural. Luckily, I was at the tuning stage of this project which I normally do near the middle or end of the process – after the artist has approved the comps and general mix. It’s actually also the song I used to demonstrate Acustica Audio’s Cobalt, which is a song by Jamiah Hudson called ‘Tell Me’, so if it sounds familiar that’s why. Being that I had to tune strictly based on my ears, I figured this would be a perfect candidate. I wanted to start with the challenge I mentioned earlier – tuning the D Major tuned up ¼ step song. After spending time with the main application though, I would definitely appreciate being able to access these plugins from other DAWS. There are “Quick APT” and “Quick Doubler” plugins for AAX / Pro Tools but, since I use Pro Tools so little (keeping my PT iLok at another studio) I was unable to test these.
#Vocalign mixbus software
Synchro Arts have used every advantage offered by the standalone architecture design choice to make the ReVoice Pro 3 the most powerful software possible.
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